Iran’s Propaganda Art Festivals Start Under Shadow Of Boycotts
Iran’s Fajr Film Festival, the Islamic Republic’s biggest, has been snubbed by moviemakers and moviegoers amid ongoing protests all over the country.
Iran’s Fajr Film Festival, the Islamic Republic’s biggest, has been snubbed by moviemakers and moviegoers amid ongoing protests all over the country.
The film festival is part of a series of events to mark the 44th anniversary of the Islamic Revolution marked by 10 days of state-sponsored ceremonies dubbed the decade of Fajr – which literally means dawn.
The trio of festivals – along with a theater and a music festival – have faced boycotts by numerous artists and art enthusiasts in recent years, but the current wave of protests and the regime’s heavy-handed crackdown seems like the coup de grâce to the most significant propaganda gala of the Islamic Republic.
Despite the government’s efforts to portray the events as popular as they used to be a decade ago, the theater festival was inaugurated in the sparsely attended Vahdat Hall this week.
It is ironic that even the most “prestigious” cultural events of the Islamic Republic are held in halls constructed prior to 1979 in the era of monarchy, as the clerical regime never truly invested in culture, and considers most of its representations un-Islamic except for a couple of weeks during the celebrations for the establishment of the Islamic Republic.
Even though photos of the empty hall during the theater festival’s opening ceremony were reported even by state media and outlets affiliated with the Revolutionary Guards, Mohammad Mehdi Esmaili, the Culture and Islamic Guidance minister, said that the event was welcomed by the people.
Since the beginning of the ongoing uprising in mid-September, many celebrities were banned, arrested or summoned by the judiciary for their solidarity with the current movement. Some of the most popular actors and artists even emigrated from the country to be able to express their support for the antigovernment protests freely and without fear of arrest.
Many actors and filmmakers had announced their boycott of the festival weeks before the start of the event, prompting the authorities not to announce the films selected to be screened during. Something unprecedented that took place this year was that the tickets for the movies were sold without the names of the works, because the government feared that if it announced the flicks, more artists would announce their opposition to the event. Of course, their trick turned out to be ineffective as some actors actually announced their boycott after their films were selected for screening, such as Haniyeh Tavassoli. Most of the actors, actresses and even directors do not have a say in the screening their movies because almost all of the productions in Iran are sponsored by state organizations.
The festival had always been dominated by the works produced by government organizations and propaganda institutes but this year the level of audacity of the regime is even higher as authorities have announced that no movies that draw a grim portrait of the society were selected for screening. The committee tasked with selecting the movies is comprised of regime insiders, some of whom were not even film industry figures, such as Reza Pourhossein, a cultural manager and a professor of psychology at the University of Tehran.
The secretaries of the festivals and their juries are also selected from the figures close to the regime and known for works that promote regime propaganda, such as the secretary of the film festival Mojtaba Amini, a producer who was involved in the attacks on the Saudi embassy when it was ransacked by IRGC’s basij militias in January 2016. The secretary of the Theater festival called those who boycott the event “cultural dictators” at the opening ceremony.
The antigovernment protests, coupled with economic woes and political uncertainty, have clouded the cultural landscape of the country so much that the culture minister was reported asking theater directors and singers to start holding performances so that the regime can pretend the situation is back to normal.
Iranian Academic Mostafa Mehraeen said at a gathering of sociologists that Iran is facing an implosion and a civilizational revolution because of the people’s experience in the years before and after the 1979 Islamic Revolution. He called on officials to think about why the Islamic Republic has been turned into a fundamental evil during the past four decades.
Many Iranian academics and commentators have become increasingly vocal in their criticism of the authoritarian regime, its mismanagement of the state and deadly violations of human rights in recent weeks.
Meanwhile, Mehraeen criticized some of his peers and firebrand cleric Ahmad Alamolhoda for saying that no one was killed by security forces during the uprising and that the movement in Iran was motivated by sex and alcohol. He said those who have made those false comments are “ignorant.” Mehraeein further accused Iran’s rulers of dishonesty and said: “They have been lying for 40 years.”
He added that claims by officials about the protest movement being a riot by gunmen was also a lie.
Mehraeen questioned the Islamic Republic for regarding itself as a "sacred order" and said, "Yes, you were sacred only in the first year after the revolution."
The sociologist can well put himself in danger of getting arrested, as dozens of journalists, artists and writers are currently in prison.
In another sharp remark, Mehraeein spoke about IRGC Commander Hossein Salami ordering Iranians "Not to take to the streets from tomorrow!" Mehraeein addressed Salami: "Do you own the nation? Do you own their bodies? Do you own the streets? Who are you and what is your status?"
He also recalled a move by members of the Islamic parliament who asked the hardliner Judiciary to execute detained protesters and said: "You foolish members of the parliament, you are supposed to be representing the people. What do you mean by saying that they should be executed?" He reminded the regime: "A political system is not all about the noose and hanging. It is not all about police, batons and repression!"
Mehraeein pointed out that one of the characteristics of the current protests is that they do not seek to disrupt the social order. "The protesters love their country and do not wish to start a civil war. That is why the conflict in restive provinces never turn into civil war because the ethnic people in those provinces seriously avoid any armed confrontation with the security forces. They want a revolution without bloodshed," he said.
During the past weeks, the Iranian Sociological Association has been holding several conferences to discuss the implications and the outlook of the Iranian protests that have been rocking the country for four months.
In his discussion about the pathology of civil protests, Iranian sociologist Ali Jafari separated the notion of culture from the idea of fabricated culture. For instance, when women reach a consensus on an issue such as hijab, that is culture, but ideological governments fabricate their own ideas as some kind of culture and try to impose that on the people. This is what we call fabricated culture, he said, which damages the society's cultural and social order.
The Association's website also featured an article by jailed sociologist Saeed Madani, written before the current protests, which argued that some social movements start without pre-planning or coordination.
Iranian sociologists had warned for years about the chances of protests similar to the Woman, Life Freedom movement, suddenly flaring up, but the regime never believed them. Even now when they have realized the predictive nature of sociological studies, they still keep academics such as Madani in jail and continue interrogating them and asking: How come you knew this and we didn't.